12.29.2014

100% Traceable Down

From fall 2014 forward, all Patagonia down products contain only 100% Traceable Down. This means of the down in all of our down products can be traced back to birds that were never force-fed and never live-plucked. The Traceable Down Standard provides the highest assurance of animal welfare in the apparel industry. We began working in 2007 to achieve this, and are the only brand to have done so.
Wanting to help improve animal welfare throughout the down industry, we've been sharing our work with down suppliers and other brands that also use down. Since 2013, when we introduced our first 100% Traceable Down products, we have presented our findings at conferences at the Outdoor Industry Association, the American Apparel and Footwear Association, and ISPO. We've also worked closely with Four Paws, an international animal welfare organization, whose campaign against the mistreatment of down-bearing birds first led us to examine our down supply chain. Four Paws has been quite supportive of our efforts to ensure animal welfare in our down supply chain. We continue to collaborate with them and other stakeholders to improve animal welfare industry-wide.
We're often asked how we can ensure every bird is treated humanely. This can only be achieved by examining every single like in the down supply chain.
We start by auditing the parent farms, where birds are raised to produce eggs. This is where the highest risk for live-plucking occurs, as animals live here up to four years. Even through we don't get our down from these birds, we feel obliged to look out for their welfare as they are an essential part of the down supply chain. This is what sets us apart from other brands also concerned about animal welfare.
The eggs produced at parent farms are transferred to other farms, where hatchlings are raised for their meat. We audit these farms to ensure sound animal welfare practices. Down is a byproduct of the food industry, and the down we buy comes exclusively from slaughterhouses. After the down is collected from geese that have been killed for their meat, we follow it through washing, sorting and processing facilities to ensure proper traceability and segregation from untraceable down. We continue our audits all the way to the garment factory, where we make sure our down is kept apart from that of other brands, and used only in our clothing. It's a lot of work. But this is how we ensure every bird whose down we use has been treated humanely.
From the moment we started his journey, we knew we needed an independent third-party to help us understand and verify sound animal welfare practices in our down supply chain. Th that end, we partner with traceability experts at Arche Advisors.
Fall 2014 marked a proud milestone for us. The assurance of sound animal welfare inherent in our 100% Traceable Down is the result of thousands of hours of work from our executives, designers, material planners, sourcing department, suppliers and corporate social responsibility team. It was neither cheap nor easy, and we had to change our strategy and business operations to accomplish this. But building a product that helps you stay warm in good conscience is a legacy we are proud of.
As we move forward with our efforts to ensure animal welfare, we are partnering wit NSF International to continue to evaluate our down supply chain. NSF is a nonprofit standards and certification organization that is helping us to move beyond verification to gain certification for 100% Traceable Down in fall 2015. We will also continue working with others in the down industry to move toward a single certification standard. In the short term, this includes working with Four Paws, the Outdoor Industry Association, European Outdoor Group and the German Sporting Goods Industry Association to evaluate existing standards and with the Textile Exchange steering committee to help improve its responsible down standard.
Patagonia

Push To Pedal II


Carhartt

Product Introspection: F/W 14-15 II

Indigo Skein Dyed Check Fabric

This is an indigo skein dyed wool fabric. In contrast to natural indigo dye, synthetic indigo dye is known for maintaining an even color all the way through to the center of the yarn. We have taken this dye and hand-dyed yarns while still in their 'skein' state (loose bunch of yarn), creating a unique, uneven look that is different from both synthetic indigo dyed fabrics and natural indigo dyed fabrics.
A young artisan from Kojima, Okayama, famous for its denim production, is pushing the envelope for what is possible with synthetic indigo. We're tackling new problems together using a very experimental trial and error process, and look forward to the day that our current research initiatives come to life as Visvim products.

Wale Corduroy

In order to recreate a material that embodied the spirit of the 1960's, we mixed cotton and linen of varying fiber lengths to create an uneven, thick-rigged corduroy that is full of character. Of course, the corduroy that was produced back in the 60's was limited by the production techniques of the time and it's likely that the unevenness was unintentional, but to those of us who are surrounded by flat products in this modern day and age, it's refreshing to see garments with an imperfect, almost humanistic side.
Trying to remake products exactly as they were years ago is futile, since we cannot reproduce the techniques and processes, and even if we could, the meaning behind the product would change along with the intention of the creator. Rather than simply reproducing old products, there are more possibilities in exploring old techniques as a basis and an inspiration for fresh, new products.
Visvim

12.14.2014

Yours And Mine

Beyonce

Product Introspection: F/W 14-15 I

Products that age beautifully

There are products that fall to the wayside as temporary fashion trends, and then there are products with longevity that acquire more charm and character over time. What is the difference between two products? The answer to this question can be found by looking inside of a product.
Items that are imbued with love throughout the design process, made with natural materials and dyeing techniques, and designed not from the pattern nor from the fabric, but all the way down from the yarn. The hard work put into our products during the development stage will see them age beautifully over time.

Bark Cloth (Kapa)

Bark cloth was widely used in America from the 1930's to the 1960's, primarily as a fabric for interior furnishings and Hawaiian shirts. The name 'bark cloth' is said to have come from the bark-like texture of the fabric, which has an uneven weave pattern and fibers that stand up and do not cling to the skim. Bark cloth is traditionally considered a summer fabric so we thought it would be interesting to use the fabric as one of the symbolic materials in our fall and winter season. The natural color is achieved by using a traditional mud dye technique from Amami-Oshima, an island off the coast of Okinawa, Japan.
Mud dyeing entails using the tannin from the sharinbai tree and mixing it with mud found in Amami-Oshima; the tree tannin and iron from the mud create a chemical reaction that turns the dye into a dark brown color upon oxidization. Although the demand for mud-dyed kimonos has decreased and many artisans have lost work, we have used this technique for a long time and have made many mud-dyed products as a result. The classic cowboy print was screen-printed to the bark cloth using over ten different patters. The inspiration and production of this custom fabric spans the entire globe, and the end result is truly unique.


Melange Wool

We developed an original melange fabric made from rope-dyed wool, silk, cotton, and polyester. The idea behind this blend was to create a dry, rough fabric that stands in contrast to typical silky high-end materials.
The irregularity from the difference in dyes gives the fabric tremendous visual depth. Many of the items in our collection that are made from melange wool also use a variety of randomly arranged custom buttons, further adding to the unique, vintage-like nature of each product.

Visvim

12.01.2014

Product Introspection: Horween Leather II

Clipper Jacket IT *Isetan Shinjuku Exclusive
Horween Horse Hide Leather

Horse Hide Leather

Horse hide, known for its thinness and durability, is legendary as a garment material, particularly for jackets. With the exception of cordovan, horse hide has a lower fiber density than cow hide and is therefore not as durable. The flip side of this is that horse hide is also that much softer than cowhide, making it suitable for use in clothing garments, where softness and pliability are favored over raw durability and tensile strength. Since horses are active animals that are naturally scratched and scarred throughout their lifetimes, high quality hides with few markings are rare and extremely precious.
Brigadier Boots Hi-Folk (Bison)
Horween Bison Leather

Bison Leather

Bison leather, known for its robustness and resistance to scratches, is used in a variety of applications, such as shoes and accessories. The American bison had once inhabited a large area of North America, roaming the plains from Alaska all the way down to northern Mexico. Native Americans depended on the bison for survival, using its meat for food and its hides for warmth, and only hunting what was necessary. At the beginning of the 20th century, however, settler's with rifles almost hunted the buffalo to extinction, leaving only a few hundred left in the wilderness. Thanks to recent conservation efforts, the buffalo population in America is steadily recovering and in no longer in danger of being wiped out.
Visvim

11.30.2014

Product Introspection: Horween Leather I

Product value born through use

I take a short drive from Chicago's city center and arrive at a weathered red brick building that is the Horween Leather Company factory.
Relatively unchanged from when it was built in the 1920's, the building is a symbol of the Horween legacy and a point of pride for the 140 artisans working under its roof.
Standing before me is Arnold Horween Jr., the fourth-generation CEO of Horween who is lovingly called "Skip" by all his employees, and his son and eventual successor Nick. Skip is giving a lecture on one of Horween's leather tanning processes.
1 inch closer to examine one of the steps, and look around to observe the lively, sweat-soaked faces of leather artisans perfecting their craft against the backdrop of these history-steeped walls.
The Horween tanning process is painstakingly long. First, the necessary sections of the original animal hide are cut, and soaked in a pit for 30 days. The hides are then dried and rubbed with oils and dyes, and are put back in the pit for 30 more days. They are then stuck to a large metal board to dry, and are once again rubbed with oil. After this, the hides are hung from hooks and stored in the factory for an additional 90 days. When the 90 days are up, the finished leather is cut to standard sizes and finally sent out into the world to one of Horween's many clients. Each step requires a tremendous amount of skill and patience, and the whole process takes at least half a year to complete.
In the words of Skip, "A product's value is born through actual use. As craftsmen is our own right, in order to work together to make great products we both need a mutual respect and appreciation for what the other does. Products that you can be proud of that is how they are born."
Visvim

11.22.2014

Supreme X The North Face VII

Bandana Mountain Parka
Bandana Dolomite Sleeping Bag
Bandana Thermoball Traction Mule
Supreme X The North Face

11.17.2014

행복한 눈물

2014 '월간 윤종신' 11월호 '행복한 눈물'은 부부의 사랑을 이야기한다. 윤종신이 '부부'를 소재로 택한 건 이번이 처음은 아니다. 2010년 '월간 윤종신'을 통해 발표되었던 '그대 없이는 못살아'와 2013년 '월간 윤종신'을 통해 발표되었던 '그댄 여전히 멋있는 사람' 역시 부부에 대한 노래였다. '행복한 눈물'은 '그댄 여전히 멋있는 사람'의 답가 같은 느낌의 노래로 '그댄 여전히 멋있는 사람'이 아내의 시선이었다면, 이번에는 남편의 시선을 담았다. 그가 근래에 만든 '이별' 노래들은 사실 허구에 기반을 둔 창작이지만, 이번처럼 부부의 삶을 소재로 한 곡은 요즘 그의 마음이 자연스레 녹아들 수밖에 없기에 더욱 더 진솔하다.
2014 '월간 윤종신' 11월호 '행복한 눈물'의 뮤직비디오는 오는 11월 27일 개봉 예정인 영화 '님아, 그 강을 건너지 마오'의 일부 장면을 재편집해 완성되었다. 우연히 페이스북 뉴스 피드에서 이 영화의 예고편을 감상한 윤종신이 먼저 영화사 측에 제안을 해 콜라보레이션이 성사되었다. 76년간 함께한 노부부의 아름다운 사랑 이야기는 과연 이 시대에 진정한 사랑이란 무엇인지를 곱씹어보게 하는데, 이는 윤종신이 '행복한 눈물'을 통해 전하고 싶었던 메시지이기도 하다.

님아, 그 강을 건너지 마오

님아, 그 강을 건너지 마오 2014
진모영, 조병만, 강계열

11.16.2014

Metropolis

Mankind's obsession with living above the clouds captured imaginations in the 1930s. The completion of the Chrysler and Empire State buildings, and the Futurama Exhibit at New York's World Fair, presented America with a tangible model for the future. These pioneers played a significant role in shaping modern America and the nation's image of itself as innovators - leading them into the future. People traveled far and wide to work on these projects - taking their Levi's work wear from its rural home, putting it to work building a Metropolis.
This season Levi's Vintage Clothing pays tribute to the visionaries who dreamed up cityscapes and the hardworking men who made them a reality.
L.V.C

11.02.2014

차라투스트라는 이렇게 말했다

(중략) 차라투스트라는 말을 마치고 나서, 다시 묵묵히 군중을 바라보며 마음속으로 생각했다. "저들은 그저 서 있으며 웃기만 하는구나. 나의 말을 이해하지도 못하면서. 나의 입은 그들의 귀에 맞지 않다. 우선 그들의 귀를 치워버리고 눈으로 듣도록 해야하나? 꽹과리처럼, 참회의 설교자처럼 요란을 떨며 말해야 하나? 혹 그들은 더듬거리며 말하는 사람만을 믿는 것은 아닐까? 그들은 나름대로 자랑스러운 것을 가지고 있다. 그들은 자기들이 자랑스러워하는 것을 무엇이라고 부르는가? 그들은 그것을 교양이라고 부른다. 그리고 이 교양이란 게 있어서 그들이 염소치기보다 뛰어나다는 것이다. 그러므로 그들은 경멸이라는 말을 듣기 꺼려한다. 이제 나는 그들의 자부심에 대해 이야기하려고 한다. 나는 그들에게 가장 경멸스러운 것이 무엇인가를 말하고자 한다. 그것은 바로 말종 인간이다."
그리하여 차라투스트라는 군중을 향해 이렇게 말했다.
이제는 인간이 자신의 목표를 세워야 할 때다. 이제는 드높은 희망의 싹을 심을 때다.
인간의 대지는 아직도 싹을 심기에 충분할 만큼 비옥하다. 그러나 이 대지는 언젠가 메마르고 생기를 잃게 될 것이다. 그렇게 되면 이 대지로부터 다시는 나무가 자라지 못할 것이다.
슬프다! 인간이 동경의 화살을 더 이상 자신의 너머로 쏘지 못하고, 윙윙거리며 활시위를 울리게 할 줄도 모르는 그런 때가 머지않아 오겠구나!
그대들에게 말하거니와, 춤추는 별을 낳으려면 인간은 자신 속에 혼돈을 간직하고 있어야 한다.
슬프다! 인간이 더 이상 별을 낳지 못하는 때가 오겠구나! 슬프다! 자기 자신을 더 이상 경멸할 줄 모르는, 경멸스럽기 그지없는 인간들의 시대가 오고 있다!
보라! 나는 그대들에게 말종 인간을 보여주련다.
"사랑은 무엇인가? 창조는 무엇인가? 동경은 무엇인가? 별은 무엇인가?" 말종 인간은 이렇게 물으며 눈을 깜박인다.
그러자 대지는 작아지고, 그 대지 위에선 만물을 왜소하게 만드는 말종 인간들이 깡충거리며 뛰어다닌다. 이 종족은 벼룩과 같아서 근절되지 않는다. 말종 인간이 가장 오래 사는 것이다.
"우리는 행복을 찾아냈다." 말종 인간들은 이렇게 말하며 눈을 깜박인다.
그들은 살기 어려운 지방을 떠났다. 온기가 필요해서였다. 게다가 아직도 이웃을 사랑하며 이웃사람과 몸을 비비고 있다. 온기가 필요해서다.
병에 걸리거나 의심하는 것을 그들은 죄로 여긴다. 그들은 조심조심 걸어다닌다. 돌이나 인간에게 걸려 비틀거리는 자는 바보일 뿐이다!
이따금 조금씩 독을 마시며 아늑한 꿈을 꾼다. 그리고 끝내는 많은 독을 마시고 즐거운 죽음을 맞이하기도 한다.
그들은 여전히 일한다. 일 자체가 일종의 소일거리기 때문이다. 하지만 그들은 이 소일거리 때문에 몸을 상하는 일이 없도록 조심한다.
그들은 가난해지지도 부유해지지도 못한다. 둘 다 너무 성가시기 때문이다. 아직도 다스리려고 하는 자가 있는가? 아직도 순종하려는 자가 있는가? 이 둘 다 너무 성가신 것이다.
돌보아 줄 양치기는 없고 가축 떼만 있을 뿐! 모두가 평등을 원하고 모두가 평등하다. 자기가 특별히 다르다고 느끼는 자는 제 발로 정신 병원으로 가게 마련이다.
"옛날에는 세상이 온통 미쳤었다." 가장 세련된 자들이 이렇게 말하며 눈을 깜박인다.
사람들은 영리하며 이 세상에서 일어나는 모든 일을 알고 있다. 그러므로 그들의 조소에는 끝이 없다. 그들은 다투기도 하지만 곧 화해한다. 그러지 않으면 위가 상하기 때문이다.
그들은 낮의 쾌락도 밤의 쾌락도 조촐하게 즐긴다. 그러면서도 건강은 알뜰하게 챙긴다.
"우리는 행복을 찾아냈다." 말종 인간들은 이렇게 말하고 눈을 깜박인다.
여기서 사람들이 머리말이라고 부르는 차라투스트라의 첫 번째 연설이 끝났다. 이 대목에서 군중의 고함 소리와 환호성이 그의 말을 중단시켰던 것이다. 군중은 외쳤다. "아, 차라투스트라여, 우리에게 그 말종 인간을 달라. 우리를 그 말종 인간으로 만들어달라! 그러면 그대에게 초인을 선사하겠다!" 그러면서 모든 군중은 환호성을 지르고 입맛을 다셨다. 하지만 마음이 슬퍼진 차라투스트라는 마음속으로 이렇게 생각했다.
저들은 나를 이해하지 못한다. 나는 그들의 귀에 맞는 입이 아니다.
나는 너무 오랫동안 산 속에 살면서 시냇물과 나무들이 하는 말에만 너무 귀를 기울였나보다. 마치 염소치기에게 말하듯이 그들에게 말하고 있지 않은가.
나의 영혼은 흔들림이 없고 오전의 산처럼 밝다. 그러나 저들은 나를 차가운 사람이며 끔찍한 농담이나 하는 냉소자라고 생각한다.
이제 그들은 나를 바라보면서 웃고 있다. 또한 그들은 웃으면서 나를 증오까지 한다. 그들의 웃음 속에는 얼음이 들어 있다.
- 니체, 차라투스트라는 이렇게 말했다 中

10.26.2014

Little Cloud Coffee

Visvim original roast coffee

Two types of beans originating from Guatemala, roasted to varying degrees, and one type of beans originating from El Salvador.
Visvim original roast coffee is a blend of these three Central American coffee beans.
The full-bodied flavor, sweet aroma, and subtle hints of fruit are all characteristic of the highest grade coffee beans.
This is a balanced middle bitter roast, right between a City roast and Full City roast, and is filled with the distinctive character of hard beans cultivated in volcanic ash soil.
Made as an espresso, this coffee yields a condensed extract with striking acidity and an extremely rich flavor, both of which become even more pronounced when mixed with milk. The Cafe latte served at 'Little Cloud Coffee' uses a double shot of espresso.
When made by pour-over drip, this coffee will exhibit a balanced body with a soft sweetness and fragrance.
Through use of a special roasting technique, this coffee will not turn unpleasantly sour after cooling, and can be enjoyed as iced coffee as well.
Visvim

Supreme X Nike Air Force 1 High

This fall, Supreme has worked with Nike to produce a new version of the Air Force 1 High. The sneaker features a premium leather upper with a pebbled leather Nike Swoosh and printed embossed logo on heel. The Supreme Nike Air Force 1 High will be available in three colorways.

10.14.2014

Truth To Materials I

It Begins At The Source

Truth To Materials honors the purest form of a material possible, be it minimally processed cashmere and wool, or going beyond organic by reusing cutting room scrap that might otherwise be discarded. It's about discovering the origin of material and staying as true to that as possible during every step of design and manufacturing.
The clothes in this collection represent a deeper dive into the progress we've already made with materials like organic cotton and recycled polyester-but with less dyeing and processing, fewer virgin resources and an even greater focus on craftmanship. We call this work 'responsible manufacturing' and it's sure to bleed into what's yet to come. You have to do it every day and eventually, maybe, you will get better. Failure comes the moment you say, "I've got this wired, nothing more to discover here."
Undyed Cashmere

Mongolian nomads have long known that the key to keeping their grasslands healthy is moving their herds and maintaining a proper ratio of goats to sheep. Goats eat grass roots, sheep do not. In order to keep native grasses on the plus side of regeneration, they have for millennia, raised more sheep than goats. But it's the goats that produce cashmere.
In recent decades, Mongolia has expanded its global trade connections and the world's love of cashmere has put pressure on herders and their traditions. Fewer sheep and more cashmere-producing goats are being introduced into herds. The result is overgrazing; Mongolia Plateau grasslands are in danger of desertification.
In hopes of turning the tide on this trend, we are in the first stages of a partnership with Noya Fibers, a small group of passionate people working with The Nature Conservancy to improve the future of the Mongolia Plateau region. Building on the work done by existing herder cooperatives, Noya is raising awareness about the importance of sustainable grazing and developing quality standards and supply chain traceability.
Our undyed cashmere is hand-harvested by goat herders who brush their flocks as they shift grazing grounds according to the seasons. The colors of the yarns-whites, browns and tans-are as nature intended. The end result is a material untouched by the process of fiber dyeing which gives the material an even softer hand and lessens the use of water, chemicals and energy. Patagonia makes a Men's Undyed Cashmere Snap-T Pullover and a Women's Undyed Cashmere Cardigan.
Reclaimed Cotton

Too often, the life of a cotton garment, whether it's conventional or organic, ends at the landfill. Growing, spinning and weaving leads to cutting and construction and that leads to consumer use which eventually can lead to the dump. Factoring practices into the equation is certainly preferable to industrial agriculture, but farming still uses a lot of water and leaves a carbon footprint from preparing the soil, cultivation and harvest.
Thanks to a partnership with the Tal Group, one of the larger garment manufacturers in the world, we have been able to take cotton consumption and twist it closer to the elusive closed-loop. Since 2011, the Tal Group has been saving their cotton scraps by sweeping the floors of their factories in China and Malaysia-saving hundreds of tons of useable cotton in the process.
This cutting-room scrap is then spun into fully functional fabrics. Basically, the leftovers from 16 virgin cotton shirts can be turned into one reclaimed cotton shirt. When you consider the volume of work being done at the Tal Group's facilities, it adds up to a lot of saved resources.
Reclaimed cotton is neither bleached nor dyed and is traceable from raw material to retail store. We blend this unique fiber with virgin organic cotton i the Men's Reclaimed Cotton Hoody and Women's Reclaimed Cotton Crew.
Reclaimed Wool

Figli di Michelangelo Calamai was founded in 1878, roughly 100 years before the birth of the environmental movement. Calamai is dedicated to producing reclaimed wool. The finished product uses garments and manufacturing scrap and blends them into a variety of knits, weaves and weights as well as textures. Bernardo Calamai, great-grandson of the founders, manages the Calamai Tech Fabrics line today.
Bernardo's family first started producing reclaimed wool fabrics in a small warehouse in Prato, Italy. Two brothers(one was 15 years old and the other 18) selected used garments and shredded and cut them into reclaimed fibers before they were sent to be spun into yarns. It was a different time back then, a poorer world. They wanted to make fabrics that were less expensive and more affordable to a greater number of people.
Today, the labor costs and market demands behind a product like reclaimed wool are not as they were before. For Calamai, the motivator is no longer economics; it is the ecology of this world. They don't want to waste and throw away used garments or second-choice fabric or scrap material because it will just end up in the landfill. "I am glad to work with a team like Patagonia," says Bernardo. "Patagonia has always had a special open mind to what you can do with reclaimed and recycled fibers. We truly care about the products we make, and it has always been my personal pleasure to work alongside a company with a philosophy so similar to our own."
The reclaimed wool used by Patagonia is made from discarded wool sweaters that are shred into usable fiber-just like the early days-and mixed with polyester and nylon for strength. From this material we made the Women's Reclaimed Wool Parka and the Men's Reclaimed Wool Jacket.
Reclaimed Down

Patagonia has partnered with designer and artisan Natalie Chanin, of Alabama Chanin, for a one-of-a-kind reclaimed down project. Damaged, returned down jackets(that cannot be repaired) have been collected in bales in Patagonia's shipping warehouse for years through our Common Threads Partnership recycling program. Together with the artisan quilters of Alabama Chanin, we have developed a warm and wearable work of art that masquerades as a scarf.
"Creating these scarves is powerful in that we are giving new life to something old, something with history-and maybe passing on to the next user some of the energy or experiences in those old Patagonia coats," says Natalie. "The scarves are, in their own way, already heirlooms because they are being passed down from one person
to another."
Unlike the Worn Wear stories we receive from our customers, we will never know who owned the jackets, if they loved them, how much they wore them or what happened in their lives when they did. The new owner has license to imagine that their scarf has(in its prior incarnation) summited a mountain or sailed around the world. And she will add value to the scarf with each wear, writing new chapters in the object's life. "Imagine if these scarves could talk," Natalie says, "the stories they could tell."
Made from recycled polyester and insulated with goose down, Patagonia Reclaimed Down Scarves are as warm and long-lasting as the garments from which they were made. Each scarf is a numbered, limited edition.
Patagonia

9.14.2014

9.13.2014

Visvim Flagship Store

You've just opened up your first Visvim flagship store. Why now, and why in Gyre Omotesando?

It's been 15 years since we started Visvim, and 10 years since we opened our first store. I think we are in a new phase as a brand, different from where we were 10, or even 5 years ago. F.I.L Tokyo is doing great. It's always been a destination shop that you have to kind of go out there and find; I mean, it's in a basement. As the brand has grown, I wanted to share with even more people what we are doing at Visvim.
Last year, we were approached with the opportunity to open a store on the second floor of Gyre Omotesando. The whole process was very spontaneous, very organic, and taking into account the transitional phase our brand is in, felt like the perfect timing.
Opening up a store in the center of Omotesando is consistent with wanting to introduce Visvim to a broader audience. Even in just the past 10 years, this area has become so much more international. You can see the diversity on the streets. It's a great place to introduce what we're doing to a more mainstream audience.

What is the difference between the Visvim flagship store and your F.I.L shops?

When we opened up our very first store, we didn't want to call it "Visvim". The brand was still very young, and we were unsure of the direction that our store would take. Instead of starting out with a fully branded flagship store, we decided to create a more neutral, gallery-like retail space called Free International Laboratory (F.I.L).
Since then, for the past 10 years, we've been opening up stores under the F.I.L name. And considering the current phase of our brand, as well as the opportunity to open up a store at one of the best locations in Omotesando, I decided that now was the time to open the first fully branded Visvim flagship store. As our most visible store to date, it is important for this store to function as the retail face of our brand. Items like French button-down shirts and Italian leather outerwear, natural dyed cut and sew pieces and grapevine bags; items that we may not normally stock in F.I.L but are highly representative of the current state of our brand and production capabilities, we want to stock in the Visvim flagship store.

How do you envision the customer mix for your Visvim and F.I.L stores, respectively?

F.I.L is a destination store. Our longtime fans have been coming to F.I.L and supporting us there for years, and hopefully that relationship can continue on well into future.
The Visvim flagship store is in a high-traffic shopping district, and anyone walking around that area can easily come into our store and discover what we're doing. It would be great if some of those people thought "Hey, this is pretty amazing stuff. Maybe these guys are onto something." We have never approached new customers in this way, and our retail stores have never been especially accessible. Our brand is growing, and we'd like to open up a little bit more, meet some new people. Take my father-in-law for example: he thinks our shoes are great, but he never had the opportunity to discover our brand in the past. That's basically what this new store is: an opportunity to discover the Visvim brand.

So this store acts like an introduce to Visvim?

Yes, it's just a little more visible. I always hear from American and European media that our brand is so mysterious, like people aren't even sure whether we exist or not! I think a lot of people outside of Japan have heard of our brand, but there is a bit of a disconnect between the rumors and our actual physical presence.
The opening of this store is one more step out there, in the industry, in the market. As we grow, I believe it is a necessary step. An exciting step, I think.

There is a cafe inside your new store called 'Little Cloud Coffe', a first for Visvim. What is the concept, and why did you choose to open a cafe?

I love coffee. I drink coffee every day. Everywhere I go - New York, LA, Paris - I've got my favorite coffee ship, and I just wanted to make something that I'd like to drink on a daily basis. I never learned how to blend or roast coffee beans, but I found a great coffee roaster who has been studying coffee all over the world for over 20 years. I regularly work with artisans and craftsmen to make clothing, so it was a natural transition for me to work with someone dedicated to pushing the boundaries of what is possible with coffee. My role in this project was to oversee the development of the coffee beans, and make sure that the end product was true to the Visvim concept.
When it come to coffee I am a total amateur, but at the end of the day it was important for me to listen to my heart and be able to say, "I would like to drink this." We went through so many tasting sessions, and some of the blends I really enjoyed, while others were just not for me. Like I said, I really had to listen to my heart in order to decide on a blend that I believed would satisfy my clients.
Developing the coffee beans was not so different from designing a clothing collection. i make clothes that I actually like and want to wear every single day, and I approached coffee the same way. If I, for some reason, decided that it would be ok to make coffee that I wouldn't even want to drink every day, it wouldn't be consistent with the philosophy I've worked so hard to build with Visvim. I think the coffee that we finally came up with is great, and is something I look forward to drinking every day.

Where did the name 'Little Cloud' come from?

I collect very old, vintage Japanese porcelain, and one time while I was in Kanazawa I found an Edo-period  plate with a cloud-like character on it. My wife commented that it looked like a cute little cloud, which for some reason really struck a chord with me. When coming up with a name for our cafe, I just knew it had to be 'Little Cloud Coffee' sounds like it could be a Native American chief's name, but it's actually inspired from Edo-period Japan. The logo and the name give off a really happy energy, and are a great complement to the new Visvim flagship store.
Interview with Hiroki Nakamura
Visvim

8.29.2014

Youthful Dayz

Youthful Dayz

To live in the present.
I loved playing more than anything excited everyday more than anymore I could give up yesterday or tomorrow but I would not give up the present.
What my son that is only 2 years old full of fun and joy made me realize again.

Through time I found out there was pain and sadness in life wondering about how to live on how to get over what lies ahead worried about the unknown future neglecting the irreplaceable time known as now this is what I was able to realize now that I am an adult.

The profoundness of the time called "now".
Seize the day.
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